Intelligence Squared Asia - Art Today Has Sold Out To The Market

Rm N101, HK Convention & Exhibition Centre, Thurs 24 March, 6:30 - 8:00pm

"Art Today Has Sold Out To The Market"

Miriam Elia

 

Pre-debate vote: For 51% | Against 31% | Don't know 18%
Post-debate vote: For 54% | Against 45% | Don't know 1%


Today’s global art market is reminiscent of a roller coaster - even as it rotates and retrenches - the ride continues to propel, excite and surprise. With a tenfold increase in buyers over the last decade, unprecedented numbers of influencers are playing a part in work being made, seen and sold. Art has inextricably become dominated by the market. Private collectors on museum boards have become the new curators, driving acquisitions and dictating exhibition content. Advisors and dealers are conditioning the next “hot” artists, who in turn, capitulate to the feeding frenzy, churning out works only to be dropped when the next fad takes hold. Galleries prioritise and promote sales of commercial-friendly paintings, setting their sights on short-term gains while overlooking more genuine forms of artistic production. 

 

Or is this just a cynic’s view, swayed by nostalgia for a time when artists, curators and critics were the only intellectual taste-makers? Record numbers are being measured not just in sales but in museum attendance, fair appearances, column inches and public programmes. The truth is, art has never been so honest, and so popular. The market is part of the solution, not the problem; there are more places than ever to showcase new talents and more philanthropists eager to nurture the kind of art - video, installation, performance - that can’t be hung at home. Surely, global demand means that art has never enjoyed such buoyant circumstances in which to flourish. 

 

So has ‘real’ art been sold out to the market in favour of trophies for billionaires? Or are we in fact enjoying an artistic renaissance where art is more accessible and exciting than ever? Join us on Thursday, 24 March 2016, hear the arguments and decide for yourself.

 

Image © Miriam Elia

For the Motion

Georgina Adam
Georgina Adam
The Art Newspaper editor-at-large and FT art market columnist
Vanessa Carlos
Vanessa Carlos
Founder and director of Carlos/Ishikawa, London

Moderator

Tim Marlow
Tim Marlow
Artistic Director at the Royal Academy of Arts, London

Against the Motion

Shahzia Sikander
Shahzia Sikander
Award-winning Pakistani-American artist
Kenny Schachter
Kenny Schachter
London-based art dealer, curator, lecturer and prolific writer
Previous Debate